Video Interview, J. Ernest Du Bois, June 6, 2012

  • KEVIN INDOVINO: In the churches, how did you
  • reconcile your spiritual faith and your gayness
  • back in those days?
  • I mean, back then you weren't so sure
  • that the church would be so accepting.
  • J. ERNEST DU BOIS: Reconciling gayness and religion
  • is not easy.
  • And I suspect that people who have
  • a certain amount of education are probably easy--
  • it's probably easier for them to make such a reconciliation,
  • or maybe it's easier for them to say
  • they want no part of religion even,
  • because of various denominations refusing
  • to accept homosexuality.
  • Having said that, it has become a personal thing with me,
  • as I suspect it has with others who are homosexual and are part
  • of the religious community.
  • You are inclined to put aside some of the things that
  • are thrown out, as opposing homosexuality passages
  • in the Bible that can be interpretants.
  • In my own case, inasmuch as I look at the whole Bible
  • and say, but it wasn't written at the time
  • it purports to be reporting.
  • And who's to say that all of it is absolutely true.
  • And I don't believe that it is.
  • I would have a great deal of trouble--
  • I do have a great deal of trouble--
  • accepting the Adam and Eve story.
  • I don't believe it.
  • I don't believe the seven day creation story.
  • I feel that there were things said in the Bible that
  • needed to be said for the time that it was written
  • in order to guide people who did not
  • have any background of any kind to confront such issues as are
  • discussed.
  • For instance, Psalms and Proverbs,
  • I think they're wonderful as guides to how
  • you might live your life.
  • But they were written at a time when people needed
  • to have a guide of some kind.
  • What's right and what's wrong, what's bad and what's good?
  • There again, I think that over the years evolution of ideas
  • is important.
  • And I think that they continue, ideas continue to evolve.
  • I feel that we have entered a period now--
  • in the 80s and 90s and since then--
  • we've entered a period where people
  • are much more open to accepting things
  • that their parents and grandparents would have thrown
  • up their hands in horror over.
  • There are so many other things that are important.
  • I feel that the big thing for gay people today--
  • excuse me-- is that they need to let themselves
  • be accepted as people.
  • That gay is just a terminology.
  • I think that people--
  • gay people need to be accepted as just people.
  • Why should they not be parents if they choose?
  • Why should they not adopt?
  • Why should they not teach?
  • Why should they not preach?
  • Why should they not do anything that anybody else does?
  • And I think other people are beginning to realize that,
  • and are accepting gay people as just being people.
  • KEVIN INDOVINO: Are you currently working
  • for with the Pride in the Pulpit movement?
  • I had a note about that, and I don't know
  • why I had a note about that.
  • You touched upon something that I want to kind of look
  • at again, is what was invaluable for gay people back
  • in the 1950s-- as far as information and resources
  • and social outlets--
  • compared to what's now available today?
  • Can you compare the two for me, because, you know,
  • we've come a long way.
  • I mean, what changes have you seen throughout the decades?
  • J. ERNEST DU BOIS: Changes in resources over the decades
  • is amazing.
  • There was nothing really for you to go to and acquire
  • information about homosexuality other
  • than medical books and things of that kind.
  • And, of course, in those days it was a sickness.
  • There really was nothing for you to go to.
  • You covertly looked in the card catalogues in the libraries.
  • You went around to the bookstores
  • and sort of wants to see what they had,
  • which was not usually very much.
  • I remember Worldwide News on South Avenue/ St. Paul Street--
  • they had a section of Gay Pulp novels, which you covertly
  • purchased hoping nobody was watching you.
  • But, of course, they weren't--
  • those kinds of things weren't references,
  • they were just to titillate you really.
  • There was nothing.
  • The 70s began to be when you--
  • that's when we began to find people were addressing
  • the issue in a serious fashion.
  • And you began to have groups of people
  • who would come together to discuss
  • the issue of homosexuality, and how it existed or could exist
  • in the community at large.
  • We began to have groups that were
  • beginning to educate the community at large and saying,
  • here we are, let's talk.
  • It wasn't really until the 90s--
  • I suspect as a result to a certain extent of the AIDS
  • epidemic, which people had to address--
  • that we began to have more materials available openly.
  • And you can go in libraries and wherever else today
  • and find resources to help you to understand and to move
  • forward--
  • or hope to move forward-- through education
  • on the issues of homosexuality.
  • KEVIN INDOVINO: So let me jump back to then.
  • In the 1950s, there's no real information
  • available to you except some medical books that were
  • calling gayness a sickness.
  • How did you personally and how did you emotionally
  • come to terms with who you were--
  • or who you are-- back in those days?
  • J. ERNEST DU BOIS: By the time I was determining who I was--
  • which was late--
  • I was already acceptant of the fact
  • that there were gay people.
  • And I accepted it in myself after I was honest with myself.
  • And said, well, this is who I am.
  • And while I'm still not going to broadcast it
  • from the mountains, I have accepted myself for who I am.
  • Now I must work within that parameter.
  • It was not an easy-- it never was easy,
  • because you were always afraid that somebody is going
  • to say, oh, look he's gay.
  • And then the fallout from that weren't sure of what would be.
  • It was wonderful when--
  • in the early 70s--
  • the psychological people decided that being gay
  • was not any longer an illness.
  • That was a relief right there.
  • Before that, you sort of knew it wasn't, but other people
  • were saying it is.
  • KEVIN INDOVINO: Yeah, let me get a little bit more specific.
  • You had mentioned about maybe seeing
  • medical books that were describing gayness
  • as a sickness.
  • Do you remember specifically opening up a book
  • and reading that, and how you felt when you read that?
  • J. ERNEST DU BOIS: Only vaguely do
  • I remember how I felt about medical books--
  • or whatever else-- calling homosexuality an illness.
  • I never felt, myself, that I was ill mentally or physically.
  • And at the risk of sounding classist, I suspect a lot of it
  • had to do with my education, and the fact
  • that I was taught to think for myself and to question.
  • And because of that, I just ignored the illness part
  • and said, well, that's somebody else's opinion, not mine.
  • KEVIN INDOVINO: Do you remember 1969, the Stonewall Rights?
  • Do you remember hearing about them?
  • Talk to me about--
  • talk to me about, first, hearing about what was happening.
  • And, again, what you personally felt
  • about what you were hearing.
  • J. ERNEST DU BOIS: The Stonewall Riot--
  • if it's to be called that--
  • was 1969, if I recall.
  • And I heard about it by way of a radio, newspaper, magazines.
  • And my reaction was, it's about time somebody fought back.
  • Now, whether I would have fought back or not
  • is a question in my mind, even today.
  • But I was very glad that there were people
  • who were standing up and saying, here we are,
  • and what are you going to do is your problem, not ours.
  • KEVIN INDOVINO: When did you first
  • start to realize that the being a openly gay man
  • was going to be OK?
  • J. ERNEST DU BOIS: I don't know that I ever
  • came to the conclusion that it was
  • OK to be an openly gay man, until probably after I retired.
  • And after I retired, my reaction was, well,
  • there is no reason for me to be hiding anything anymore.
  • I don't need to be concerned about the job.
  • I'm retired.
  • I'm part of the retirement system.
  • They can't throw me out for being gay.
  • So I guess I actually can't say that I was openly
  • gay until after that, until after I retired.
  • KEVIN INDOVINO: So as someone who
  • is retired, looking at what I want
  • to call the senior members of the gay community, what
  • is life like for you?
  • You know, what do you do?
  • What do you-- where are you going to socialize?
  • What is it like to be a mature gay man in Rochester?
  • J. ERNEST DU BOIS: Well, having lived my life
  • in Rochester my contacts for social abilities are many.
  • I have many friends, most of whom are probably not gay.
  • And there are retired people, who taught school as I did,
  • with whom I associate.
  • There are people at church with whom I associate.
  • There is a gay group of people whom
  • I have known over the years, and we continue to associate.
  • We do a lot with--
  • going out for dinner or for lunch.
  • KEVIN INDOVINO: We do--
  • Let me just interrupt you there.
  • Are there any significant challenges in
  • being an older gay man, things that society really
  • needs to start looking at a little bit more closely?
  • J. ERNEST DU BOIS: Well, one that I hadn't thought of--
  • one thing that I hadn't thought of with senior gay people
  • is what happens to them when they get to the point
  • where they need to be in a facility that
  • deals with old age.
  • And that apparently is a problem, because they
  • can be looked down upon, mistreated, and apparently
  • are in some cases.
  • Now, I just came out of thirty-two days in a nursing
  • home rehabing for needing to build my strength back up.
  • Once again, I did not announce I'm gay.
  • What any of the staff realized or felt, I don't know.
  • Certainly I got no reaction of any kind from them that I could
  • say was a reaction to the fact that they discovered
  • or knew that I was gay.
  • They treated me very well, and they successfully
  • helped me to gather my confidence back again,
  • and my strength back to at least the situation or the condition
  • that I was before.
  • KEVIN INDOVINO: OK.
  • I know one of the things you like to do
  • is go to the movies, particularly Image Out.
  • Can you tell me about Image Out, and what
  • is so enjoyable about that for you?
  • J. ERNEST DU BOIS: Image Out is a gay and lesbian film
  • festival in Rochester.
  • And I do support it, and I do attend much of it.
  • I appreciate, particularly, the documentaries.
  • I think people are inclined to look
  • at gay people, particularly men, and all they see is sex.
  • And that's not the issue, necessarily,
  • with a great many gay people.
  • They're interested in their history.
  • They're interested in how they can confront
  • the community at large.
  • Confront is probably not the right word,
  • but how they can deal with the community at large
  • and educate them to the fact that--
  • as I said much earlier--
  • gay people are people, and need to be accepted that way--or
  • should be accepted that way.
  • KEVIN INDOVINO: So how significant
  • do you think it is to have an event like Image
  • Out here in Rochester?
  • J. ERNEST DU BOIS: Well, as I said in a previous interview,
  • Rochester, New York is an interesting place in that I
  • feel that gayness was accepted by more people in the community
  • than is true in other communities.
  • And a lot of that had to do-- as I indicated before--
  • with the fact that you have a high level of education
  • in this community.
  • People who do think for themselves,
  • people who are understanding.
  • I'm not going to use the word tolerate,
  • because that says things that I don't mean at all.
  • That they accept.
  • KEVIN INDOVINO: So do you think, expanding on that--
  • and, again, I'm trying to just focus in a little bit on Image
  • Out, because it's going to be part of this documentary--
  • for a city--
  • what does it say for a city the size of Rochester
  • to have a film festival like that for twenty years?
  • J. ERNEST DU BOIS: I think the fact that Image Out has existed
  • in Rochester for twenty years is a testimony to the fact
  • that the community is far more accepting
  • than many other communities of its size.
  • It's surprising when you stop to think
  • that Rochester, which is only--
  • according to the World Almanac--
  • only number 98 now in size population--
  • that it would support an Image Out.
  • But I think that the gay community in Rochester--
  • gay community, does that mean that there
  • is a group of people who are together that are gay and--
  • no, it does not.
  • I guess I should say the gay people in Rochester
  • feel that they can support Image Out without having retributions
  • of any kind brought upon them.
  • If you look at the catalog for Image Out,
  • you will find that many, many, many people have
  • their names published so that the community at large
  • knows who is attending, supporting Image Out.
  • And a lot of those people are heterosexual people
  • who have come to accept and support.
  • KEVIN INDOVINO: And I'm going to stay with Image Out
  • just a little bit, because you're
  • one of the few people that I can talk to about it
  • who really have a good passion for it.
  • Just talk to me about the experience
  • of going to an Image Out movie.
  • What is it like--
  • other than seeing a good movie--
  • that experience for you personally,
  • what does it provides for you?
  • J. ERNEST DU BOIS: I like Image Out for myself, personally,
  • because I like being able to go and be with other gay people
  • and enjoy--
  • especially the documentaries-- and being
  • able to talk about them with those people
  • outside the festival.
  • I like the fact that there's a camaraderie
  • about the whole thing.
  • I appreciate the work that is done by those who put Image Out
  • together.
  • I'm very happy with Image Out, because it
  • is a window through which the community can
  • look at gay people.
  • KEVIN INDOVINO: Last question-- and this is kind of an almost
  • slightly philosophical question-- not really--
  • when history looks back at Ernest Dubois
  • and in your life as a gay man in Rochester--
  • what do you want history to say about you?
  • Who you are, who you were?
  • J. ERNEST DU BOIS: I want history
  • to say about me that he came and did the best he could do.
  • I want history to say, yes, he was always community minded.
  • Yes, he did a decent job as a school teacher.
  • That Ernest Dubois was a influence
  • in the lives of many people.
  • I couldn't tell you right now the number of students
  • who have gone into education that passed by me
  • who have said I was part of the reason they
  • went into education.
  • I'm very proud of that.
  • I want them to say that I did everything
  • that I did sincerely, and to the best of my ability.
  • And in some cases, being gay has nothing to do with it.
  • It was because I am Ernest Dubois,
  • and because I wanted to do the things that I did, and felt
  • that they were important.
  • KEVIN INDOVINO: And we'll leave it at that.
  • Good.
  • Thank you.
  • Brian is going to get the mic.
  • OK, just for a microphone check, Ernest,
  • I need you to give us the correct spelling
  • of your first and last name.
  • J. ERNEST DU BOIS: I am J-- first initial J--
  • middle name Ernest, Dubois.
  • Capital D-U, capital B-O-I-S.
  • KEVIN INDOVINO: OK.
  • And Ernest without the A.
  • J. ERNEST DU BOIS: Without the A.
  • KEVIN INDOVINO: E-R-N-E-S-T. OK.
  • Ernest, what year would you say you first started
  • coming out as a gay man?
  • What decade?
  • J. ERNEST DU BOIS: The 1950s.
  • KEVIN INDOVINO: 50s, OK.
  • So if you could for me, talk to me
  • what it was like being a gay man in Rochester in the 1950s.
  • What was out there for you socially?
  • J. ERNEST DU BOIS: In the late 1950s
  • there wasn't a lot socially, other than going to bars.
  • And you went to bars to meet people, meet your friends,
  • and just generally hang out.
  • There were not any restaurants, to speak of,
  • that were dedicated to gay people.
  • You sort of went where other people went.
  • There were things that went on in people's homes.
  • People would entertain, but that was about it.
  • KEVIN INDOVINO: Going to the bars in the late 50s, 1960s,
  • and meeting other gay people, do you remember the kind of things
  • that you talked about back then?
  • J. ERNEST DU BOIS: I do remember the things
  • that we talked about.
  • We talked about usual things that people talk about today.
  • You weren't supposed to talk about politics, religion,
  • and sex, but I like to talk about all three.
  • So those were the things that we really did talk about.
  • We talked about politics, with reference
  • to what kinds of impacts we could
  • make on legislatures in order to improve the lot of gay people.
  • That was not done in the 50s and 60s
  • as much as it was done in the 70s, late 70s into the 80s.
  • Religion, that was a period when many gay people turned away
  • from religion, because religion was--
  • so many religious denominations were unaccepting of gay people.
  • And as far as sex is concerned, well,
  • you talked about that because you hoped
  • it would happen occasionally.
  • KEVIN INDOVINO: Can you talk to me about Front Street?
  • Tell me about Front Street.
  • What was it like?
  • J. ERNEST DU BOIS: Front Street was very peculiar.
  • During the day it was a fairly busy commercial setting.
  • I can remember my grandfather having a favorite meat market
  • down there--
  • I can't remember whether it was Beckers or Andrews--
  • and it was commercial.
  • Dark would arrive and a bar like Dick's would open.
  • And Dick's wife Martha really was the queen bee of the place.
  • She ran it, and she knew everybody who was there.
  • And she was welcoming to people, and was
  • ready to protect if necessary.
  • I went there on a fairly regular basis,
  • again, to see people and meet people that you
  • wouldn't find anyplace else.
  • There was another bar--
  • I guess it was a bar because I hardly ever went there--
  • next door.
  • I don't even remember the name of it.
  • KEVIN INDOVINO: Was it Ma Martin's?
  • J. ERNEST DU BOIS: Ma Martin.
  • I did not know Ma Martin.
  • And I was still a bit squeamish about being out in public.
  • And since Martha was-- at Dick's--
  • was the kind of person who protected,
  • I felt more comfortable there for whatever reason.
  • KEVIN INDOVINO: In your time at those bars
  • and back in that time period, did
  • you witness anything like police raids,
  • or did you ever feel harassed at all?
  • J. ERNEST DU BOIS: No, I never saw a police raid.
  • I heard that they would occur occasionally.
  • I suspect-- without any knowledge of it--
  • that they were paid off.
  • Certainly I was never harassed in a bar.
  • KEVIN INDOVINO: Were you--
  • in that time-- were you fairly openly gay,
  • or were you pretty much closeted?
  • Were you leading a double life between work and might life?
  • J. ERNEST DU BOIS: As many of us did in the 50s and 60s,
  • we led double lives.
  • And I was one of those who did.
  • My life away from community activities and away from work
  • was different from my life in the community.
  • It wasn't that I felt that I necessarily needed to hide it.
  • But I did because I didn't want any problems to arise
  • because I was gay.
  • And I felt if I didn't go around broadcasting it,
  • things would just go on quite normally,
  • whatever normal means.
  • And I was very active in the community.
  • KEVIN INDOVINO: In what community?
  • The community as a whole, or the gay community?
  • J. ERNEST DU BOIS: No, the community at large.
  • No, I was not active in--
  • there wasn't really a gay community
  • as such, if you mean an action kind of group.
  • There was not.
  • I was active in the community at large, educational things,
  • religious things.
  • KEVIN INDOVINO: So did you have fear of being exposed,
  • of losing your job, kicked out of the church?
  • Did those fears exist for you?
  • J. ERNEST DU BOIS: In the back of my head I suppose they did.
  • As I look back in reality, they could have happened I suppose.
  • But I also realize that the church
  • affiliation I had was such that they probably
  • would have accepted it--
  • the gayness.
  • Job wise, well, since I was a schoolteacher
  • I was inclined to be very quiet about it.
  • I'm sure there were those who knew,
  • but they couldn't say definitely I hadn't said anything,
  • nor had they seen me doing anything gay.
  • KEVIN INDOVINO: Is my note correcter here
  • that you were the first black teacher in Rochester High
  • School?
  • J. ERNEST DU BOIS: In the high schools.
  • KEVIN INDOVINO: In the high schools.
  • J. ERNEST DU BOIS: Not in the grade schools.
  • KEVIN INDOVINO: OK.
  • Can you talk to me then?
  • Let's set that up for our audience
  • about you being the first black teacher in Rochester High
  • School, but yet you had this other part of your life
  • that you could not expose.
  • J. ERNEST DU BOIS: Yes, I was the first black teacher
  • in the secondary schools in Rochester.
  • I was not the first black teacher in the school system,
  • there were those in the elementary school.
  • As far as being gay and black, I think black probably
  • was more of a problem than gay.
  • Because you didn't go around talking
  • about the gay part, but the black part was very visible.
  • And there were people who quite obviously were not
  • anxious to have a black person teaching
  • in the secondary schools.
  • So I had to keep that in mind, as well as the fact that
  • after about the middle 50s--
  • when I finally recognized my own gayness--
  • I had to keep in mind two things.
  • The black finally disappeared because I certainly,
  • by the middle 50s, was not the only black teacher
  • in the high school.
  • Nor was I the only gay teacher in the high schools
  • by then either.
  • KEVIN INDOVINO: You had mentioned--